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The Jupiter Vocal Lab

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Vocal Liberty

There is no good reason women and transmasculine people can't perform operatically in the chest voice. We see what our industry has done for countertenors, and we are heading to the corresponding mountaintop, where the sound of freedom is a booming tenor from a T-free body.

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Roles That Fit

Beyond Cherubino, we are reimagining fachs and characters to create a wider range of expressive opportunities for all singers who want to sing outside the binary. Welcome to masc soprano roles, femme baritone characters, and operatic nonbinary sounds you can't yet imagine.

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Asking the Questions

Why are all the feminine roles for treble singers? What makes a melody masculine or feminine? How can you safely extend your lower range as a lifelong soprano? You don't get good answers to questions like these in the vocal studio: that's lab work.

Women & Transmasc Singers:
A New Chest-Voice Fach

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GNC tenor Leo Balkovetz Jupiter
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From the Vocal Lab: Songs for New Tenors

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"The Rain Was Sweet"

Tenor Aria

Music by Jodi Goble specifically created for the newer tenor to find confidence in chest-voice singing. Gorgeous melodies, a sweeping piano-vocal score, and a powerful character to interpret.

PDF | DEMO (MIDI)

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"Jupiter"

Tenor Aria/Concert Aria

This anthemic nonbinary banger from EG Rudolph's Alison celebrates the declaration of one's new name. Scored for voice and piano with an evocative cello line, an easy entry to tenor singing.

PDF | DEMO

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"Men Like Us"

Tenor Aria

Based on the historically intersex Revolutionary War hero Casimir Pulaski: the trouser role you've been waiting for. A call to arms by Vince Gover that demands individual bravery in the face of tyranny.

PDF | DEMO (MIDI)

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"Dream Home"

Tenor MT Song/Aria

A queer person eases into their first live-in relationship. A lyrical, strophic number by Elle Meerovitch (with text by Mirror Schwartz-Meadows) with accessible, ringing high notes and a punchy, discordant contrasting section. 

PDF | DEMO

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Coming Soon...

Our current roster of scores in development contains several roles, comic as well as dramatic, for chest-voice newcomers.

We're also working with performers and composers to create concepts for "skirt roles" (traditional chest-voice performers portraying women onstage), more robust "trouser" roles for manly soprano/mezzo characters, and wibbly-wobbly nonbinary characters whose use of registers underscores our understanding of the voice as a spectrum.

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